Exhibition

In the main in the more

Beatrice Bonino, Funny and Fun, 2024, plastique, papier, chocolat, papier d’aluminium, 36,5 × 18 cm.  Courtesy de l’artiste et de Ermes Ermes
Beatrice Bonino, Funny and Fun, 2024, plastique, papier, chocolat, papier d’aluminium, 36,5 × 18 cm. Courtesy de l’artiste et de Ermes Ermes
Exhibition from 18 November 2025 to 31 January 2026

Beatrice Bonino's exhibition with works by Lutz Bacher, Jean-Pierre Bertrand, Matt Browning, Gianni Colombo, Giuseppe Desiato, Marisa Merz, Dieter Roth, and Giorgos Tigkas 
Curator: Catherine David

Opening on November 17 at 6p.m.

The Pernod Ricard Foundation is delighted to present the first institutional exhibition in France dedicated to artist Beatrice Bonino, developed in close collaboration with Catherine David, art historian and guest curator.

Beatrice Bonino’s artistic practice centers on forgotten fragments and overlooked or barely perceptible materials, which she patiently assembles into delicate, unexpected sculptures. Humble objects—juxtaposed, wrapped, or bound together—become signs of a mysterious language that only reveals itself to those willing to take the time to truly see. Her work invites slowness and attention, a willingness to approach, to accept opacity and fragility.

In dialogue with curator Catherine David, Bonino also brings her sculptural vocabulary into conversation with historical works, notably those by Lutz Bacher, Gianni Colombo, Giuseppe Desiato, Marisa Merz, and Dieter Roth. This confrontation of voices underscores both affinities and differences across generations, situating her practice within a living lineage of artistic gestures where memory meets disappearance, and where formal precision quietly intertwines with poetry.

Beatrice Bonino, Funny and Fun, 2024, plastic, paper, chocolate, aluminum foil, 36,5 × 18 cm. Courtesy of the artist and Ermes Ermes.
 

Artistes
Curator
Dates
18 November 2025 - 31 January 2026
Schedules
From Tuesday to Saturday, from 11 am to 7 pm
Late night Wednesday until 9 pm
Monday by appointment
Free entrance
Free admission, without reservation
Visits
Free guided tours
Wednesday 12 pm and 6pm
Saturday 12 pm and 4 pm
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
Beatrice Bonino, Funny and Fun (detail), 2024. Silicone, plastic, paper, bakelite, fabric, rubber. 122 x 22,5 x 9 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
Beatrice Bonino, Funny and Fun (detail), 2024. Silicone, plastic, paper, bakelite, fabric, rubber. 122 x 22,5 x 9 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
Dieter Roth, Two Shirts, 1988. Assemblage, acrylic and highlighteron glass covering two cotton shirts on masonite board, in aluminium frame. 59 x 73,6 x 2,5 cm. Courtesy Fondation Dieter Roth, Hamburg and Hauser & Wirth, Zurich © Dieter Roth Estate. Photo by Simon Rao.
Dieter Roth, Two Shirts, 1988. Assemblage, acrylic and highlighteron glass covering two cotton shirts on masonite board, in aluminium frame. 59 x 73,6 x 2,5 cm. Courtesy Fondation Dieter Roth, Hamburg and Hauser & Wirth, Zurich © Dieter Roth Estate. Photo by Simon Rao.
Dieter Roth, Two Shirts (detail), 1988. Assemblage, acrylic and highlighteron glass covering two cotton shirts on masonite board, in aluminium frame. 59 x 73,6 x 2,5 cm. Courtesy Fondation Dieter Roth, Hamburg and Hauser & Wirth, Zurich © Dieter Roth Estate. Photo by Simon Rao.
Dieter Roth, Two Shirts (detail), 1988. Assemblage, acrylic and highlighteron glass covering two cotton shirts on masonite board, in aluminium frame. 59 x 73,6 x 2,5 cm. Courtesy Fondation Dieter Roth, Hamburg and Hauser & Wirth, Zurich © Dieter Roth Estate. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
Beatrice Bonino, Neon, 2025. Silk ribbon, plastic. 100 x 4 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
Beatrice Bonino, Neon, 2025. Silk ribbon, plastic. 100 x 4 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
Beatrice Bonino, Senza Titolo, 2023. Wood, plastic, silicon, glass. 39,5 x 46,5 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
Beatrice Bonino, Senza Titolo, 2023. Wood, plastic, silicon, glass. 39,5 x 46,5 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
Beatrice Bonino, The Carrier Bag, 2025. Plastic bag, ribbon, pink rose from Palaipaphos archeological site, mesh. 20 x 29 x 33 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
Beatrice Bonino, The Carrier Bag, 2025. Plastic bag, ribbon, pink rose from Palaipaphos archeological site, mesh. 20 x 29 x 33 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
Gianni Colombo, Rilevi intermutabili, 1959. Rubber over spheres and mechanical animation on board. 42 x 42 x 5 cm. Private collection. Courtesy Gió Marconi, Milan. Photo by Simon Rao.
Gianni Colombo, Rilevi intermutabili, 1959. Rubber over spheres and mechanical animation on board. 42 x 42 x 5 cm. Private collection. Courtesy Gió Marconi, Milan. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
Gianni Colombo, Superficie in variazione, 1959. Synthetic rope, wood, and mechanical animation on a wooden structure, foam, rope. 65 x 61,5 x 7 cm. Courtesy Archivio Gianni Colombo, Milan. Photo by Simon Rao.
Gianni Colombo, Superficie in variazione, 1959. Synthetic rope, wood, and mechanical animation on a wooden structure, foam, rope. 65 x 61,5 x 7 cm. Courtesy Archivio Gianni Colombo, Milan. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
Giuseppe Desiato, Senza Titolo, 1978. Contact photo printing, bridal veil, artificial flower. 60 x 50 x 20 cm. Courtesy Galerie Isabella Bortolozzi, Berlin. Photo by Simon Rao.
Giuseppe Desiato, Senza Titolo, 1978. Contact photo printing, bridal veil, artificial flower. 60 x 50 x 20 cm. Courtesy Galerie Isabella Bortolozzi, Berlin. Photo by Simon Rao.
Marisa Merz, Untitled, 1968. Nylon thread, iron nails. 5 x 20 x 7 cm. Courtesy Collezione Merz, Turin © ADAGP, Paris, 2025. Photo by Simon Rao.
Marisa Merz, Untitled, 1968. Nylon thread, iron nails. 5 x 20 x 7 cm. Courtesy Collezione Merz, Turin © ADAGP, Paris, 2025. Photo by Simon Rao.
Matt Browning, Plastic Freedom, 2024. PET plastic. 13,4 x 11,7 x 5,5 cm. Courtesy of the artist, Galerie Buchholz, Cologne and Galerie Edouard Montassut, Paris. Photo by Simon Rao.
Matt Browning, Plastic Freedom, 2024. PET plastic. 13,4 x 11,7 x 5,5 cm. Courtesy of the artist, Galerie Buchholz, Cologne and Galerie Edouard Montassut, Paris. Photo by Simon Rao.
Beatrice Bonino, Invincible summer (II), 2025. Plastic flowers, plastic box. 17 x 30 x 5 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
Beatrice Bonino, Invincible summer (II), 2025. Plastic flowers, plastic box. 17 x 30 x 5 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
Beatrice Bonino, Untitled (Fallen column), 2025. Pleated paper, pleated cotton, plastic, cardboard box. 30 x 11 x 45 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
Beatrice Bonino, Untitled (Fallen column), 2025. Pleated paper, pleated cotton, plastic, cardboard box. 30 x 11 x 45 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
Beatrice Bonino, Funny and Fun, 2024. Silicone, plastic, paper, bakelite, fabric, rubber. 115 x 100 x 3 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
Beatrice Bonino, Funny and Fun, 2024. Silicone, plastic, paper, bakelite, fabric, rubber. 115 x 100 x 3 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
Beatrice Bonino, Which is ennui?, 2025. Mixed media on paper. 45 x 30 cm. Photo by Simon Rao.
Beatrice Bonino, Which is ennui?, 2025. Mixed media on paper. 45 x 30 cm. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
Dieter Roth, Sans titre, 1989. Cups and mugs on cardboard. 40 x 12 x 12 cm. Private collection, Paris. Photo by Simon Rao.
Dieter Roth, Sans titre, 1989. Cups and mugs on cardboard. 40 x 12 x 12 cm. Private collection, Paris. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
Beatrice Bonino, Gonna (detail), 2025. Silicone, plastic, ribbons, wax strips. 70 x 30 x 20 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
Beatrice Bonino, Gonna (detail), 2025. Silicone, plastic, ribbons, wax strips. 70 x 30 x 20 cm. Courtesy of the artist and Ermes Ermes, Rome. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
View of the exhibition "In the main in the more" at the Fondation Pernod Ricard, Paris, 2025. Photo by Simon Rao.
Lutz Bacher, Snow, 1999. Digital video, b&w, silent. 7’13 min, looped. Courtesy of the Estate of Lutz Bacher and Galerie Buchholz, Cologne. Photo by Simon Rao.
Lutz Bacher, Snow, 1999. Digital video, b&w, silent. 7’13 min, looped. Courtesy of the Estate of Lutz Bacher and Galerie Buchholz, Cologne. Photo by Simon Rao.