Launch of the magazine Radar #3 - Apocalypse Now

"Look at the evening as if the day should die; and the morning as if everything were born there" recommends André Gide in Les Nourritures terrestres. It is by following this invitation to look at the world with renewed attention that we have chosen to explore nature and its beauty, through the eyes of young artists, authors and journalists. Gide’s work is an apology for absolute abandonment to this nourishing, rich and sublime land. In our turn, we wanted to observe it in all its facets: sometimes disturbing or mishandled, sometimes sublimated, poetized, celebrated, but always a source of inspiration. And try to understand how, and why, it remains this ultimate and eternal material of creation. As in our two previous issues, we wanted to open a reflection around a subject that inhabits the spirit of the young generation. Between apocalyptic narratives, poems in the woods, ecofeminist reflections, flowers that bloom on canvases, futuristic and utopian imaginaries or pastoral tales, we thought this issue, not only as an alert, but as an ode to nature. Perhaps it is precisely now, more than ever, the time to dedicate a number to him.

Radar is a magazine of art, literature and society. Its mission is to survey the youth, to give a voice to a generation that often lacks support for expression outside of the Internet. It tends to be a space of experimentation for its young contributors and thus offers a multitude of feathers, styles, typologies of articles and texts. Each issue is structured around a thematic idea and offers a prism for reading the issues of our time. 

Film screenings

Nathan Ghali, Les animaux vont mieux, 2024

Elisa Florimond, Installations extracts, 2025

Clarisse Pillard, Purple Petra, Pink Naomi, Perfumed Suzy, Innocent Ilona. Juicy Jane., 2026

Sarah-Anaïs Desbenoist, Somnambule, 2026

Nathan Ghali, Joyeux anniversaire, charlotte, 2025