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Located in the heart of the café-library of the new Pernod Ricard Foundation, l’Avancée is an exhibition space dedicated to emerging artists. A way to extend the exhibition space into the living space and vice versa. L’Avancée is also, possibly, a promontory or a ridge for all young artists, still students: a way to move forward, a little timidly, by playing on the surface of a wall that will soon, in the exhibition spaces that they will not fail to invest in the future, will not cease to multiply. With this new initiative, the Pernod Ricard Foundation reinforces its role in the young artistic scene in France.
 
During the 21/22 season, the Pernod Ricard Foundation invites the Beaux-Arts de Paris and its « exhibition professions » program.
 
As part of our collaboration with the Beaux-arts de Paris, Mathilde Rossello (b. 1994) inaugurates the « L’Avancée » program with a pictorial installation entitled « Vinalement Eva vacille » presented in the Foundation’s café-bookshop.

One of the big challenges of our time is to make knowledge transformative, so that it awakens the imagination, makes the world more interesting, detoxifies the sadness of “we know” and “it’s nothing but”.[1]

[1] Isabelle Stengers, Résister au désastre, Editions Wildproject, 2019, p.33

Carlotta Bailly-Borg invites Margaux Schwarz for her Carte Blanche as part of the Pernod Ricard Foundation Prize 20-21 program. Together, they propose a radio series in six episodes to be discovered every day of this week at 6:00 pm on radio Duuu.

PRESS RELEASE
VIRTUAL TOUR 

Etudes sur l’empathie [Studies on Empathy] borrows its title from a research project by artist Eva Zornio, which takes the form of a study. The exhibition assembles works by a dozen artists from HEAD—Genève. Each work sketches a singular relationship with empathy, leading viewers to ponder its ability to summon this feeling.

Marcos Avila Forero (1983), Eva Barto (1987), Simon Boudvin (1979), Corentin Canesson (1988), Gaëlle Choisne (1985), Kapwani Kiwanga (1978), Paul Maheke (1985), Estefania Penafiel-Loaiza (1978), Sarah Tritz (1980).
Curated by Claire Le Restif.