Sarah Tritz’s second monograph revisits the body of work she has produced since the publication of her first catalogue in 2016. This book is structured around the documentation of different families of works developed by the artist over the past ten years, as well as the numerous exhibitions in which her work has been featured. The process of montage, of combining and confronting tonal, cultural, and technical differences, which is at play in Sarah Tritz’s works and installations, finds an echo in the sequences and spatial arrangements in the pages of this volume. The graphic design, once again by Syndicat, confirms a long-term creative partnership and a shared interest in the possibilities of the book format. The work is illuminated by an interview between Sarah Tritz and Marine Zonca, as well as a critical text by Fernanda Brenner.