Relive the Aveycke Press residency, a label for non‑musicians imagined by Raphaël Massart, hosted at Aperto

© Esmire & Erwan
© Esmire & Erwan

The label — or record company — is a structure capable of giving sound its musical dimension, in the self‑referential sense of the term. Aveycke Press aims to open a door within this landscape to people whose practices are not typically identified as musical. Poets, listeners, collage‑makers, and archivists mingle here to share what we may then call their music.

Between September and December 2025, Aveycke Press settled into Aperto — the Fondation Pernod Ricard’s project space — for a residency. As the launchpad for this new project, the residency offered the founding artists an opportunity to shape its first contours and to experiment, through making and sharing, with the ideas that Aveycke carries in germinal form. How can we make and distribute music today? Confronted with the musical, administrative, and visual standards that shape any sound production, what do we keep? What do we let go of?

During this research‑creation residency, the label team and invited artists benefited from the production and distribution resources available at Aperto, which consequently became a recording studio, an editing space, and a meeting point to collaborate and support one another in the creation of a compilation. At the end of the year, the label released this first compilation, bringing together around a dozen artists.

Find an interview with Raphaël Massart on the origins and inspirations behind the label here!

Quiète venue, sound installation

A first encounter with the work of the Aveycke Press artists.

An alphabet, a pair of shoes, a song, Sophie, a phone number, and found objects share the sonic space. They listen to one another and respond. Lower your voice to visit; sharpen your ear to see Aveycke more clearly. Quiète venue featured works by: Thelma Cappello, Anaïs Fontanges, Notre Travail Bénéfique, Alejandro Villabona & FDD, and Dial‑A‑Poem France.

Quiète Venue Live

To conclude its residency at Aperto, the Aveycke Press label presented the work of four artists during an evening of concerts.

Deltanik is the project of visual artist Demetra L. Nikolopoulou, who reads from her notebooks and brings them to life on stage. Fabienne Audéoud pursues sound exploration in her performances through an improvised language. Rose Felicity creates pop tracks using her voice, collaged recordings, and a handmade organ. Guided by her voice, Manon Michèle’s film‑texts weave together the failed hopes of language and moments of miscommunication.