Poésie Plate-forme DISCOMPOSE
Viviana Moin, dancer and actress, and Hélèna Villovitch, novelist and filmmaker, sometimes collaborate with humour and efficiency, as they also do with others of their friends.
Between life and practices, they create a mini social theatre that disrupts roles, reorganizes reality for a moment.
Viviana Moin | develops a remarkable work between improvisation and contextualization.
She studied classical and modern dance at the National School of Dance in Buenos Aires, then improvisation and circus. Since then, she has shown her projects and pieces regularly in France and abroad, such as La Cata, Minotaure75, Confession under request, Passiflore et champignons dans la forêt profonde. She is also an interpreter especially for Yaïr Barelli, such as on the occasion of the last Nuit Blanche at the Picasso Museum, or for Jérôme Bel, Christophe Haleb, Mélanie Martinez Llenze, Gweanel Morin, Acerina Ramos-Amador or Karine Saporta. She also develops projects with the artists Ulla Von Brandenbourg, Pauline Curnier-Jardin, Mélanie Manchot and Valérie Mréjen.
Helena Villovitch | is an author, director and journalist.
After studying applied arts, she participated in the group of filmmakers called Molokino. Her films include J’ai 20 ans,1984; A ma place, 2003; Bye bye tiger in collaboration with Jan Peters, 2004; Le sofa, 2017. We owe her novels and collections of short stories that multiply with acuity and comedy, the points of view on the contemporary. They were published by L’Olivier: Je pense à toi tous les jours, 1998; Dans la vraie vie, 2005; then by Verticales L’immobilier, 2013; Pour en finir avec mon sofa, 2018. She has written children’s books published by L’Ecole des loisirs, as well as an essay: Le bonheur par le shopping, Maren Sell.
